Design'd and engrav'd by Mr. Hogarth, twelve Prints calPd industry and idle- William Hogarth Industry and Idleness London, J Boydell Ca 1800 Copper engravings Average size 270x350mm Hogarth's famous moral tale (first published 1747) of the contrasting careers of the idle and the industrious apprentices. English: William Hogarth - Industry and Idleness, Plate 3; The Idle 'Prentice at Play in the Church Yard, during Divine Service, with decorative border and captions cropped Date 30 September 1747 He is shown here examining the effects of the dead man in a hat (probably his) between them, while another man pitches the body down a trap door. These scenes are meant to be read as concurrent and featuring the same location. Found inside – Page 9Rake's Progress, Harlot's Progress, Illustrations for Hudibras, Before and After, Beer Street, and Gin Lane, 96 more. Commentary by Sean Shesgreen. Industry and Idleness 4: The Industrious 'Prentice a Favourite, and Entrusted by his Master. Thus through the influence and actions of their respective female partners, Goodchild’s and Idle’s fortunes have changed abruptly and significantly. . Artist. The plates show one of the two apprentices at some stage in their life, alternating between one 'prentice and the other (Industrious, Idle, Industrious, etc.) The scene is the public execution at the so . Ve:26.The Adultereſs will hunt forthe precious life. Hogarth's London. Francis is at the window holding a teacup (without a handle) and giving a coin. Ver:16.The Wicked is snar'd in thework of his own hands, Leviticus CH:XIX Ve:15.Thou shall do no unrighteous--neſs in Judgement. A Rake's Progress A Scene from 'The Tempest' Captain Coram Four Times of the Day George Arnold Heads of Six of Hogarth's Servants Marriage A-la-Mode Mrs. Salter Sigismunda Mourning . William Hogarth, The Four Stages of Cruelty, 1751 - The Reward . Found inside – Page 33HOGARTH ELUCIDATED . INDUSTRY AND IDLENESS . THE moral which Hogarth has attempted to display in this series of prints , is thus characterized by himself . The skulls and bones scattered on the ground presage his fate and remind us of the biblical ‘Day of Judgement’. Hogarth later described the series as 'calculated for the use & Instruction of Youth'. Their piety is contrasted with the sleeping man in the pew and the vain woman at the far right, and complements the quiet devotion of the old pew opener, the woman who has the keys to the pew, who is facing away from the service to spot new arrivals.[8]. Add to Favourites. Hogarth's "Industry and Idleness" series (1747) is arguably one of the most ambiguous of what he called his 'Modern Moral Subjects'. Add to Favorites 1820 - INDUSTRY and IDLENESS - William HOGARTH - Original Engraving. Plate 4 highlights Goodchild’s rise in the master weaver’s business. Medium: Etching and engraving; second state of three. 1747. William Hogarth. anti-alcoholism ad--engraving-- mothers ruin (gin) Hogarth, Shrimp Girl, 1740. His master is also present and using the greatest familiarity with him, further testifying to his advanced state. Scanned from Ayrton & Denvir (1948). Expand Favorite. William Hogarth Industry and Idleness, Plate IX: The Idle 'Prentice Betray'd by His Whore, and Taken in a Night Cellar with His Accomplice Public Domain. This sets the scene for their reunion in the next plate. The broken flute and bottle, together with the pair of breeches discarded on the bedclothes, suggest they have spent their time in drunken debauchery. The executioner lays unconcernedly along one of the crossbeams, smoking his pipe and apparently inured to the nature of his work. A young man (whose sea chest bears the all-too-apt name Thomas Idle) is sent to sea by his exasperated master, after performing poorly as an apprentice weaver. The couple have been interrupted taking tea by a large and potentially unruly band of musicians, drummers and butchers holding bones. He soon turned, however, to designing and engraving plates for the print and book publishers. The ‘good’ apprentice, Francis Goodchild, and ‘bad’ apprentice, Tom Idle, are seen together in Plates 1 and 10. Hogarth's print series: Industry and Idleness 7-12. 1820 - William HOGARTH - 'The FOOL of BETHESDA' - Original Engraving. Proverbs CH:XII. To the lower right a copy of the "London Almanack" is tacked up, headed by an allegorical figure of the genius of Industry assaulting Father Time. Engravings. Idle has now gone from highway robbery to out and out murder for petty gain. After William Hogarth Industry and Idleness engravings, plate nos. The Idle ‘Prentice at play in the Church Yard during Divine Service 30 September 1747Etching and engraving on paper265 x 345 mmCourtesy Andrew Edmunds, London. Beyond that even, the sign of "WEST and GOODCHILD" under their trademark of a lion rampant shows that his former master has taken him into partnership (not an unreasonable step given that he previously kept the accounts). Psalm CXIX Ver:97O! Plate 6 takes place in Fish Street Hill near the Monument (a memorial to the Great Fire of London in 1666), the base of which can be seen in the background. William Hogarth, The Four Stages of Cruelty, 1751 - Cruelty in Perfection. Sketches for two Engravings from 'Industry and Idleness'. William HogarthIndustry and Idleness: plate 6. In these years Hogarth's uncertainty and frustration expressed themselves in a number of unfinished paintings. Idle, on the other hand, operates outside these locales and their associated values, whether by choice or by force. He later took up oil painting, starting with small portrait groups called conversation pieces. Paintings. However, the skeletons displayed either side of the print suggests that his body will end-up anatomised. Matthew CHAP:XXV. She is busy examining the various nonmonetary spoils from his thefts on the highway, including an earring that looks like a gallows. Paulson suggests two: the plays "Eastward Hoe" (Revived after Hogarth's publication of these) and "The London Merchant", the latter containing the especially applicable quote that "business [is] the youth's best preservative from ill, as idleness [is] the worst of snares". Artist. William Hogarth, The Four Stages of Cruelty, 1751 - Second Stage of Cruelty. Hogarth's autobiographic notes indicate that the set was engraved in a much more simplistic style . Industry and Idleness, plate 8 William Hogarth (1697 - 1764) RA Collection: Art The eighth plate of William Hogarth's series of twelve prints Industry and Idleness, which the artist 'calculated for the use & Instruction of youth'.The set shows the consequences in later life of the contrasting behaviours of two apprentices in the same weaver's workshop, with each scene accompanied by scriptural . William Hogarth. Goodchild is in the church, while Idle is outside. Find many great new & used options and get the best deals for Hogarth-industry and idleness - the 'Prentice grown rich, & Sheriff of London at the best online prices at eBay! Idle’s situation is the direct opposite: he is conducting a ‘liaison’ with a ‘common Prostitute’. Plate 4. Goodchild works diligently at the loom, while, Idle is fast asleep. Industry and Idleness (the complete set of 12 prints) Recent Lots by William Hogarth "A Close Shave or Goodbye" - William Hogarth Fonsie Mealy Auctioneers. The Fellow 'Prentices at their Looms 30 September 1747 Etching and engraving on paper 265 x 345 mm Courtesy Andrew Edmunds, London. Note that in some versions the title is "The Idle 'Prentice betrayed by his Whore, & taken in a Night-Cellar with his Accomplice", whereas others remove "by his Whore". Hogarth was strongly influenced by Italian and French art and engraving and much of his output was satirical and often bawdy caricatures which became very popular and widespread during his lifetime. For reasons unknown (but probably related to his namesake vice), Tom Idle is back on land again. William Hogarth, The Four Stages of Cruelty, 1751 - First Stage of Cruelty. He is accompanied on the journey to an awaiting ship by two characters, who take delight in goading him. 53 Fleet-Street, London. 1820 - William HOGARTH - INDUSTRY and IDLENESS - The Idle prentice turn'd away and sent to sea - Original Engraving. Hogarth, four times of day, noon, 1736. Ve:1.A foolish son is the heavineſsof his Mother. English: William Hogarth - Industry and Idleness, Plate 11; The Idle 'Prentice Executed at Tyburn. The chamberlain (the man with the staff of office) examines a paper addressed "To the worſhipl Fras Goodchild Eſq Sher[...] Lond" while a crowd of people mills at the bar. In particular, the two on the far right warn that even earned riches are as susceptible to squander and waste as any other. William Hogarth Industry and Idleness Idle Prentice Executed at - stock illustration Vintage engraving of showing a scene from William Hogarth's Industry and Idleness. Now he desperately reads a Book of Common Prayer, while a Methodist clergyman evangelises over sin and damnation beside him. The Clark Art Institute, 1969.24B. An old woman, dressed as a widow, tearfully remonstrates with him, while he ignores her. [9], Plate 1 – The Fellow 'Prentices at their Looms, Plate 2 — The Industrious 'Prentice performing the Duty of a Christian, Plate 3 — The Idle 'Prentice at Play in the Church Yard, during Divine Service, Plate 4 — The Industrious 'Prentice a Favourite, and entrusted by his Master, Plate 5 — The Idle 'Prentice turn'd away, and sent to Sea, Plate 6 — The Industrious 'Prentice out of his Time, & Married to his Master's Daughter, Plate 7 — The Idle 'Prentice return'd from Sea, & in a Garret with common Prostitute, Plate 8 — The Industrious 'Prentice grown rich, & Sheriff of London, Plate 9 — The Idle 'Prentice betrayed (by his Whore), & taken in a Night-Cellar with his Accomplice, Plate 10 – The Industrious 'Prentice Alderman of London, the Idle one brought before him & Impeach'd by his Accomplice, Plate 11 — The Idle 'Prentice Executed at Tyburn, Plate 12 – The Industrious 'Prentice Lord-Mayor of London, "Measuring Worth – Purchasing Power of British Pound", Emblematical Print on the South Sea Scheme, Sigismunda mourning over the Heart of Guiscardo, https://en.wikipedia.org/w/index.php?title=Industry_and_Idleness&oldid=1007672219, Creative Commons Attribution-ShareAlike License, This page was last edited on 19 February 2021, at 09:28. Now that the Idle 'Prentice met his reward, industry gets its turn: The industry and morality of Francis Goodchild result in his being chosen the Lord Mayor of the City. Great Britain, 1747. 10 x 13. Idle." The Industrious ‘Prentice performing the Duty of a Christian 30 September 1747Etching and engraving on paper265 x 345 mmCourtesy Andrew Edmunds, London, William HogarthIndustry and Idleness: plate 3. 1747. In 1729 he eloped with Jane Thornhill, daughter of the eminent painter Sir James Thornhill, and in . She is rewarded for her ‘treachery’ by the constable who enters the night cellar. If he was callous enough to throw out his indenture leaving land, he certainly does not feel bound by any law on his return as he has gone so far as to turn highwayman (more likely footpad) and take up a (dismal) residence with "a common Prostitute". The bottles on the fireplace mantel are suggestive of venereal disease, similar to those of plate 3 in A Harlot's Progress. The Industrious ‘Prentice out of his time, & Married to his Master’s Daughter 30 September 1747Etching and engraving on paper265 x 345 mmCourtesy Andrew Edmunds, London, William HogarthIndustry and Idleness: plate 7. between industry and idleness among the gentility. Sumber: Scanned from The genius of William Hogarth or Hogarth's Graphical Works: Pembuat: William Hogarth . Meanwhile, Idle is shown to be a gambler and a cheat. Found inside – Page 700The Idle ' Prentice returned from Sea , and in a Garret with a common Prostitute . INDUSTRY AND IDLENESS . [ After Hogarth . ] P. Audinet . sc . The apprentices’ physical appearance is also contrasted. William Hogarth Industry and Idleness Industrious Prentice grown - stock illustration Vintage engraving of showing a scene from William Hogarth's Industry and Idleness. Par William Hogarth Londres, 1694 - 1764 'Industry and Idleness', suite complète de 12 planches, 1747 Eau-forte et burin environ 265 x 345 mm, bonnes marges homogènes (Paulson 168-179), très belles épreuves, petits trous dans les marges, légères taches sur les planches 5 et 10, la planche 6 légèrement jaunie. Re-engravings by Thomas Cook. (165 x 266mm.) Tanggal: 18 century. Hogarth underlines these qualities with compositions that are literally upright, structured and solid. In contrast to the luxury of Francis in plate 8, Thomas and his companion are shown living in complete squalor somewhere in London. However, while Goodchild’s continuing fame and good fortune are underlined by the cornucopias displayed in the border of the print, for Idle (as presented by the skeletons) there is only imminent death. Thus both men have achieved a kind of ‘celebrity’. Found inside – Page 207... is a later work of Hogarth's entitled Industry and Idleness (1747). This set of twelve engravings, Hogarth explains in his autobiographical notes, ... Yet Hogarth's art . William Hogarth Copper engraving A set of twelve plates over six sheets, printed as a pair per sheet, Industry and Idleness was intended by Hogarth as a moral instruction for young apprentices, and a demonstration of the fortune that attends a life of diligence as opposed to a life of dissolution. Proverbs CH:XIX. are on the left of the engraving. A collection of 45 engravings - William Hogarth Dominic Winter Auctioneers. Industry and Idleness 3: The Idle 'Prentice at Play in the Church Yard During Divine Service. William Hogarth. Hogarth was far from the first to attempt to dramatically display parallel lives leading from the same start to opposite ends. Famous for his paintings, Hogarth's engravings are even more paramount: the imagery from The Harlot's Progress, Marriage a la Mode, The Four Stages of Cruelty, Four Prints of an Election, The Four Times of the Day, Industry and Idleness and a host of others are crucial to an understanding of eighteenth century art and culture. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Ve:29.Judgments are prepared for scorners& stripes for the back of Fools. Conducting a ‘ common Prostitute of three Harlot 's Progress holding a stick that are upright! And contrasted qualities with compositions that are literally upright, structured and solid of an unsuccessful schoolmaster writer... Highway, including an earring that looks like a gallows plate: 10 5/8 x 15 13/16.! Play in the picture shows Thomas ' ultimate fate, hung on a gibbet for his highway.! Reads a book of common Prayer, while a woman with a liaison... 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